Themes in Dr Jekyll and Mr Hyde

Women and Femininity

Female characters in Dr. Jekyll and Mr. Hyde seem to be passive and weak. The firstone to appear is a young girl trampledover by Mr. Hyde. Although she is "not much the worse, more frightened,"she still shouts and people come to help her. The next woman is a maid who is a witness to Carew's murder. After witnessing the murder, she faints, awakening long after the murderer is gone. She is a passive spectator. There is much speculation as to the reasons for the absence of females in the story; one particularly compelling argument is that women function as moral bedrocks in most Victorian novels. They’re supposed to be beacons of good moral influence. In Dr. Jekyll and Mr. Hyde therefore, women may have unnecessarily complicated the story.

Religion

God and Satan figure prominently in this text, as well as many general references to religion and works of charity. As part of their intellectual lives, the men in the novel discuss various religious works. One sign of Mr. Hyde’s wickedness, for example, is his defacing Dr. Jekyll’s favorite religious work. Mr. Hyde is also frequently likened to Satan.

Violence

This novel details two crimes of violence against innocent and helpless citizens: first, a little girl, and second, an elderly man. The violence in the novel centers on Mr. Hyde, and raises the question as to whether or not violence is an inherent part of man’s nature.

Lies and Deceit

In Dr. Jekyll and Mr. Hyde, the plot is frequently driven forward by secrecy and deception; Mr. Utterson doesn’t know the relationship between Dr. Jekyll and Mr. Hyde, and he wants to find out. Also, by omitting the scenes of Mr. Hyde’s supposedly crazy debauchery, Stevenson allows our imaginations to run to wild and eerie places.

Curiosity

In Dr. Jekyll and Mr. Hyde, curiosity drives the characters to seek knowledge. This curiosity is either suppressed or fulfilled in each character. Curiosity lacks any negative connotation; instead, characters who do not actively seek to unravel the Jekyll and Hyde mystery may be viewed as passive or weak. Finally, the characters’ curiosities are, to some degree, transferred over to the reader; we seek to solve the puzzle along with Mr. Utterson.

Appearances/Reputation

Appearances figure in the novel both figuratively and literally. Dr. Jekyll definitely wants to keep up a well-respected façade, even though he has a lot of unsavory tendencies. In a literal sense, the appearances of buildings in the novel reflect the character of the building’s inhabitants. Dr. Jekyll has a comfortable and well-appointed house, but Mr. Hyde spends most of his time in the "dingy windowless structure" of the doctor’s laboratory. Other disreputable quarters of London are described as well, the stomping ground of Mr. Hyde.

Friendship

Friendship in Dr. Jekyll and Mr. Hyde serves to drive the plot forward. Aside from human curiosity, Mr. Utterson is compelled to uncover the mystery of the evil man because of his friendship with Dr. Jekyll. In trying to unravel the secret, his many friendships deliver crucial pieces of information. In this sense, friendship acts as both a motivator and an enabler. As for the friendship between Dr. Lanyon and Dr. Jekyll, it’s certainly not as unconditional as the loyalty Mr. Utterson bears for Dr. Jekyll. Instead, it’s fraught with competition, anger, and eventually an irreconcilable quarrel. We see that friendships can be ruined by differences of opinion.

Repression

Repression is indisputably a cause of troubles in Dr. Jekyll and Mr. Hyde. The repression here is that of Victorian England: no sexual appetites, no violence, and no great expressions of emotion, at least in the public sphere. Everything is sober and dignified, and you’re really not supposed to be happy. (That would somehow take away from your focus on morality). The more Dr. Jekyll’s forbidden appetites are repressed, the more he desires the life of Mr. Hyde, and the stronger Mr. Hyde grows. This is clearly demonstrated after Dr. Jekyll’s two-month hiatus from donning the visage of Mr. Hyde; Dr. Jekyll finds that the pull to evil has been magnified after months of repression.

Good vs. Evil

Good vs. evil is basically the novel’s biggest theme. More specifically, Dr. Jekyll and Mr. Hyde is easily viewed as an allegory about the good and evil that exist in all men, and about our struggle with these two sides of the human personality. In this book, then, the battle between good and evil rages within the individual. The question is which is superior. Since Hyde seems to be taking over, one could argue that evil is stronger than good. However, Hyde does end up dead at the end of the story, perhaps suggesting a weakness or failure of evil. The big question, of course, is whether or not good can be separated from evil, or whether the two are forever intertwined. 

Shmoop Editorial Team. (2008, November 11). Strange Case of Dr. Jekyll and Mr. Hyde Theme of Women and Femininity. Retrieved November 11, 2018, from https://www.shmoop.com/jekyll-and-hyde/women-femininity-theme.html

From Hell: Film analysis

The Strange Case of Dr Jekyll and Mr Hyde

From Hell - Film Analysis

From Hell

Choose ONE task to carry out while watching the film and select a scene to analyse. 

1. Define what eurocentrism is and mention its characteristics in form of binary oppositions. How is it made manifest in the film?
2. How is ethnicity presented in the film? Select a scene where the topic of conversation is ethnic differences. Analyse the dialogue using Foucault’s approach taking into consideration the definitions of power, discourse and the gaze.
3. How is femininity presented in this text? Using gender studies select a scene where the life of the prostitutes is depicted in relation to patriarchal ideology.
4. Analyse the context of culture presented in the movie. In order to do so you need to work on the following concept: imperialism. How is imperialism depicted in the film? Pay attentio to symbols carrying Queen Vicoria's image.
5. From Hell may be considered a hybrid from the perspective of genre classification. On the one hand, this text may be considered as a horror film. On the other hand, it may be considered as crime fiction/detective fiction. Taking genre theory into consideration elaborate two lists of what you consider are the textual characteristics of both genres.
6. How is the medical profession presented in this film? What kind of power do doctors exert on the female body? Use gender studies and Foucaut’s approach to analyse one scene where the manipulation of the female body at the hands of science is shown.

DOPPELGANGER

A recurrent motif in Gothic fiction, the doppelganger or double has
both symbolic and psychoanalytical implications. In the case of the former,
the duplication or division of a character may serve to emphasize
polemically the moral dilemmas or social disparities around which a didactic
or cautionary narrative may revolve—for example, the fate of one
who resists temptation, as opposed to one who succumbs to it; or, the
lifestyle enjoyed by a character born into privilege, set against the parallel
experience of another raised in poverty. In psychoanalysis, the motif may
emblematize the polarity of the unrestrained id against its ego and superego
counterparts. Thus, the doppelganger may become, variously, a figure
that enacts taboo desires, a seeker of arcane knowledge, or one who
pursues the drive of thanatos rather than that of eros. In both symbolic
and psychoanalytical incarnations (though these demarcations are, inevitably,
capable of definition as much by the critic as the author), the double
may be formed by duplication (where two entities effectively parallel
each other’s actions) or division (where a character is split, physically or
psychologically, into two alternating personalities). Situations such as
disguise, cross dressing, or mistaken identity may also produce contextual
implications that are analogous to doubling.

Hughes, W. (2012) Historical Dictionary of Gothic Literature

Victorian Age